martymoviereviews.com                                            Marty Meltz       
 

Marty
at the
Movies

No frills,
to-the-point
reviews

Marty MeltzWelcome to Marty’s movie rankings and reviews.
After being budget-cut from the Portland, Maine papers after 30 years on 12-31-07, Marty now offers his weekly film reviews online.  Thank you for your visit.
 
 
 

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  Hi, I'm Marty. . .
So let’s now talk about Honesty, not Hollywood hype! I’ve worked and completed 36 years of published film reviewing experience, 30 with the Maine Sunday Telegram and Portland Press Herald. 5000 film viewings, over 3500 reviews. And what do I look for? What else? Simply what entertains my readers. No nonsense here. I don’t write for editors. I don’t write for other film critics. Hey, … words better have meaning for you, or forget it. A review should be about the film, not about me.

Marty Meltz movie review criteria
Marty's Criteria

What makes a film quality entertainment?
A good story?  Uh, uh. No more so than you care about the reply when you’re introduced to a new person and you ask, “What do you do?” In a minute you realize that really what you’re looking for in a new person is an appealing personality. So, in a film, you’re really looking for its “personality,” communication at your deep, meaningful levels of consciousness. In a well-designed movie that means integrated action, suspense, acting from the inside and settings artistry. At the deeper levels of mind and spirit, we respond to the audio and visual energy of smart dynamic film technique and atmosphere, whether fast-paced or deliberative -- DELIVERY!  If it all works for you, you’ve got something to take away! It was entertaining. You have grown. I’ll tell you about the plot, of course, and in the way I tell it, you’ll sense my estimate of the film.

Summary:
Intelligence ... clever drama or comedy ... performance power ... appropriate film octane level. Does it have it?
A good movie moves — you even more than itself.
How much did the film take on as a challenge? Did it pick up its point and run with it?  Did you care about it?

Does the director know we’re here watching? Are we being respected?
Or are we being jerked around?

And . . . Is this film hitting us high – or low?
Let’s do a review or two ...

 

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© 2008, Marty Meltz